December 1, 2010

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Distinction in our ways of knowing things, highlighted by Russell and forming a central element in his philosophy after the discovery of the theory of definite descriptions. A thing is known by acquaintance when there is direct experience of it. It is known by description if it can only be described as a thing with such-and-such properties. In everyday parlance, I might know my spouse and children by acquaintance, but know someone as the first person born at sea only by description. However, for a variety of reasons Russell shrinks the area of things that can be known by acquaintance until eventually only current experience, perhaps my own self, and certain universals or meanings qualify anything else is known only as the thing that has such-and-such qualities.


Because one can interpret the relation of acquaintance or awareness as one that is not epistemic, i.e., not a kind of propositional knowledge, it is important to distinguish the above aforementioned views read as ontological theses from a view one might call epistemological direct realism? In perception we are, on at least some occasions, non-inferentially justified in believing a proposition asserting the existence of a physical object. Since it is that these objects exist independently of any mind that might perceive them, and so it thereby rules out all forms of idealism and phenomenalism, which hold that there are no such independently existing objects. Its being to direct realism rules out those views defended under the cubic of critical naive realism, or representational realism, in which there is some non-physical intermediary  -usually called a sense-datum or a sense impression  -that must first be perceived or experienced in order to perceive the object that exists independently of this perception. Often the distinction between direct realism and other theories of perception is explained more fully in terms of what is immediately perceived, than mediately perceived. What relevance does illusion have for these two forms of direct realism?

The fundamental premise of the arguments is from illusion seems to be the theses that things can appear to be other than they are. Thus, for example, straight sticks when immerged in water looks bent, a penny when viewed from certain perspective appears as an illusory spatial elliptic circularity, when something that is yellow when place under red fluorescent light looks red. In all of these cases, one version of the argument goes, it is implausible to maintain that what we are directly acquainted with is the real nature of the object in question. Indeed, it is hard to see how we can be said to be aware of the really physical object at all. In the above illusions the things we were aware of actually were bent, elliptical and red, respectively. But, by hypothesis, the really physical objects lacked these properties. Thus, we were not aware of the substantial reality of been real as a  physical objects or theory.

So far, if the argument is relevant to any of the direct realizes distinguished above, it seems relevant only to the claim that in all sense experience we are directly acquainted with parts or constituents of physical objects. After all, even if in illusion we are not acquainted with physical objects, but their surfaces, or their constituents, why should we conclude anything about the hidden nature of our relations to the physical world in veridical experience?

We are supposed to discover the answer to this question by noticing the similarities between illusory experience and veridical experience and by reflecting on what makes illusion possible at all. Illusion can occur because the nature of the illusory experience is determined, not just by the nature of events or sorted, conflicting affairs but the object perceived as itself the event in cause, but also by other conditions, both external and internal as becoming of an inner or as the outer experience. But all of our sensations are subject to these causal influences and it would be gratuitous and arbitrary to select from indefinitely of many and subtly different perceptual experiences some special ones those that get us in touch with the real nature of the physical world and its surrounding surfaces. Red fluorescent light affects the way things look, but so does sunlight. Water reflects light, but so does air. We have no unmediated access to the external world.

The Philosophy of science, and scientific epistemology are not the only area where philosophers have lately urged the relevance of neuroscientific discoveries. Kathleen Akins argues that a traditional view of the senses underlies the variety of sophisticated naturalistic programs about intentionality. Current neuroscientific understanding of the mechanisms and coding strategies implemented by sensory receptors shows that this traditional view is mistaken. The traditional view holds that sensory systems are veridical in at least three ways. (1) Each signal in the system correlates along with diminutive ranging properties in the external (to the body) environment. (2) The structure in the relevant relations between the external properties the receptors are sensitive to is preserved in the structure of the relations between the resulting sensory states, and (3) the sensory system theory, is not properly a single theory, but any approach to a complicated or complex structure that abstract away from the particular physical, chemical or biological nature of its components and simply considers the structure they together administer the terms of the functional role of individual parts and their contribution to the functioning of the whole, without fabricated additions or embellishments, that this is an external event. Using recent neurobiological discoveries about response properties of thermal receptors in the skin as an illustration, are, presently concurring of some acceptable of sensory systems from which are narcissistic than veridical. All three traditional assumptions are violated. These neurobiological details and their philosophical implications open novel questions for the philosophy of perception and for the appropriate foundations for naturalistic projects

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